Not only that, but Dual Pixel AF (DPAF) is on this camera which supplies brilliant AF performance that’s both smooth and confident. Re-reading this review and it's a shame that such a solid entry-level still photography camera got a low score for video. Here, in the case of M50 applying the same logic, the 40 - 50% sensor area is used for 4K video, which is nearly as large as a micro 4/3 camera sensor area, but definitely as large as a 1" camera, which is not bad for a $600 camera, I guess. Shoot for e-com all day without having to move the camera on the tripod. I don't see how you can equate the two, because I think one would have to be crazy to use live view for portraits with older canons with no touch screen. Too bad.Funny how they never made this camera just for you. While this camera can shoot in 4K and is Canon’s first mirrorless camera to offer this format, the 4K footage in many respects is not usable. Modify your browser's settings to allow Javascript to execute. One that Nikon and Sony are only starting to catch up to (shooting video makes you evaluate LV extensively) and it's only the contrast-detection AF system that's slow. Maybe I don't get the problem as I use the central point even on my 5DIV even with 1.4 glass. Aperture  is the size of the opening in the lens. 20x 1.4x.71 = 20 mm? For more slowly-changing subjects, like wind-driven clouds (longer 5-sec. It is a popular choice for bloggers as it offers fantastic performance in a lightweight body. The electronic level is disabled during 4K video recording. Though no affect in pictures. The lens still would have the same 50mm focal length and the same aperture. The 24fps matches worldwide “Cinema Film” frame rates and you can always use your video editing software to get the “Cinema Look” you want. Since the 24MP APS-C sensor is cramming more photosites (pixels) onto a smaller surface area, each pixel is smaller and therefore more likely to generate noise. So that whole not useful for portraits is a load of brown stuff, point plank. I am only saying about the DPR scores. Because the subject focal dimension look and bokeh on my 25mm f1.2 MFT  lens apears to be 50mm and f2.4. This cropping cuts slightly more into the video imagery when Movie Digital IS is set to “Enhanced.”, * Canon EF-S and EF lenses can be attached to the EOS M50 via the optional accessory Canon Mount Adapter EF-EOS M. The inclusion of 4K video capability in the EOS M50 makes it even more desirable as a camera for vloggers and video enthusiasts, looking to step-up from either a smartphone or a pocket digital camera. to 14mm...280mm. There have been several digital cameras since then but am content with my current Nikon D3200. This camera is Canon’s first mirrorless that delivers 4K, quite an accomplishment on their part. I have more faith in Nikon releasing a worthwhile mirrorless. P.S. The user interface on this camera is excellent and well-tailored to beginning photographers, especially. While not as extensive as what’s possible during still-image shooting, it still leaves the photographer with some important ways to control the overall “look” of 4K video recorded with this camera. Practically, When I shoot indoor ceremony and weddings (not a professional though), I find myself shooting over ISO 640 most of the time. This....is odd. To combat the considerable crop-factor in 4K, you’ll want to pick up an ultra wide-angle lens. This zoom lens' range is not telephoto as I understand the term. A6300/A6500 = even more DR and even better high ISO. BTW when you say "No IS" for the video sensor crops I assume you mean no electronic IS and lens IS still works, perhaps that should be made clear? Camera battery design has been relatively unchanged for years, but new Kickstarter campaign for the X-tra battery hopes to upend convention and give photographers a more powerful, quicker and better camera battery. only iso 800 or more ..................................why? Within a month there will be ef-m speedboosters and before december there will be 4 or 5 new ef-m lenses. “Of course” because this is a mirrorless camera: on Canon’s DSLRs, the optical viewfinder becomes useless when you switch to the video modes because the mirror blocks your view. Maybe. This week, we test three leading smartphone gimbals: The DJI OM 4, the Moza Mini MX and the Zhiyun Smooth XS. Sadly, Canon lacks sufficient lenses needed for professional-level work on this platform and, overall, the lens selection is still relatively limited.

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